Language(s): French

Keyword(s):

Micro-level Structure ,  MIDI ,  Harmonising ,  Synthesis and Resynthesis Techniques ,  Real-time Transformation ,  Analysis ,  Grammar ,  Computer Music ,  Mixed Work ,  Serialism ,  Timbre

Abstract:

The author analyses Perspectivae sintagma I by Brice Pauset, a work for MIDI keyboard and live electronics. The composer organises his work on the basis of the canon, a composition technique articulated in this case employing a subject (the keyboard) and a response (the synthetic sounds). The author presents a very complete analysis of this canon: its writing, its computer realization, the timbre, its relation with time.

Abstract translation(s):

(français)

Ferrari, Giordano (2005). Perspectivae sintagma I : une analyse

All references of the same author:

(English)

Ferrari, Giordano (1994). Vers un scénario imaginaire : l'opéra radiophonique italien

(Français)

Ferrari, Giordano (1994). Vers un scénario imaginaire : l'opéra radiophonique italien