Küpper, Leo

2000

Le temps audio-numérique

Bourges Academy: Time in Electroacoustic Music. Bourges: Acteon-Mnemosyne: 94-115.

Language(s): French

Keyword(s):

Reverse Granular Synthesis and Resynthesis Visual Representation Sonogram Waveform Graphic Score Listening Experience Digital Music Perception Psychoacoustics

Abstract:

This article explores the perception of time in digital music. An introduction presents physical time concepts and their measurement. The article’s first part explores the specificity of time manipulation with digital technologies. The second part exposes the principal philosophic theories. The third part concerns visual representations of time in various computer programs (Pro-Tools, Alchemie, Cubase, Infinity, Metasynth, Metatrack, Xx, Sonic Worx Artist, Audiosculpt, Studio Vision, and Finale). The last part contains a report of an experiment concerning time perception.

All references of the same author:

(English)

Küpper, Léo (1975). Élaboration de la musique électronique à partir d'un ordinateur musical. Tendance à l'automatisation de la composition. Génération d'un monde sonore autonome par interstimulations d'automates sonores
Küpper, Léo (1978). New Possibilities of Vocal Music: Phonèmes, Allophones, Phonatomes, Logatomes, Phonetic Microsounds
Küpper, Leo (1996). Musical Analysis: Inflections Vocales, a Composition for Soprano and DAT
Küpper, Léo (1998). Expérimentations et prospections

(Français)

Küpper, Léo (1975). Élaboration de la musique électronique à partir d'un ordinateur musical. Tendance à l'automatisation de la composition. Génération d'un monde sonore autonome par interstimulations d'automates sonores