Language(s): French

Keyword(s):

Listening Experience ,  Electroacoustic Music ,  Phonography ,  Anecdotal Composition ,  Perception ,  Semiotics

Abstract:

The author analyses the perception of time in the electroacoustic music sub-genre, phonography. He defines phonography including remarks that it possesses the real duration, homogeneity of contents, immediate intelligibility and different techniques than those associated with journalistic recording and suggests that phonography focuses on two qualities: originality and causality of temporal matter.

All references of the same author:

(English)

Savouret, Alain (1972). Sur 'Tango'
Savouret, Alain (1991). ... Des illusions ...
Savouret, Alain (1996). Analysis in Electroacoustic Music
Savouret, Alain (1998). To young 'Discovers' of music...
Savouret, Alain (2002). Electroacoustique et perspective phonoculturelle

(Français)

Savouret, Alain (1972). Sur 'Tango'
Savouret, Alain (1991). ... Des illusions ...
Savouret, Alain (2002). Electroacoustique et perspective phonoculturelle