Language(s): English,  French

Keyword(s):

Micro-level Structure ,  Analysis ,  Visual Representation ,  Structural Analysis ,  Grammar ,  Electroacoustic Music ,  Phenomenology

Abstract:

The author presents his compositional method using sound criteria and visual representations of them. He begins with two questions: Can cadential processes present in the structure of traditional music be fulfilling in electroacoustic music? Can these processes be considered as universal traits translatable into features different from systematic tension/resolution? Sound unities can be analysed and represented through different criteria: amplitude, spectrum, brightness, density, granularity, pitch and register. Each criterion can be associated to aid in constituting micro-structures.

All references of the same author:

(English)

Kröpfl, Francisco (1995). Experiences and Reflexions on Electroacoustic Music
Kröpfl, Francisco (1996). An Approach to the Analysis of Electroacoustic Music