Language(s): English, French
Keyword(s):Micro-level Structure , Analysis , Visual Representation , Structural Analysis , Grammar , Electroacoustic Music , Phenomenology
The author presents his compositional method using sound criteria and visual representations of them. He begins with two questions: Can cadential processes present in the structure of traditional music be fulfilling in electroacoustic music? Can these processes be considered as universal traits translatable into features different from systematic tension/resolution? Sound unities can be analysed and represented through different criteria: amplitude, spectrum, brightness, density, granularity, pitch and register. Each criterion can be associated to aid in constituting micro-structures.
All references of the same author:
(English)Kröpfl, Francisco (1995). Experiences and Reflexions on Electroacoustic Music
Kröpfl, Francisco (1996). An Approach to the Analysis of Electroacoustic Music