Language(s): French

Keyword(s):

Musique Concrète ,  Historical Electroacoustic Devices ,  Synthesis and Resynthesis Techniques ,  MIDI ,  Spatialisation ,  Computer Music ,  Electroacoustic Music ,  Electronic Music

Abstract:

Through the discussion of a number of musical works, the author investigates the relationships between the works and the technical devices employed. From 1948 to today, he details the history of different technologies (analog, electronic and digital) and how the composers work with all of these imperfect devices.

Abstract translation(s):

(français)

Humpert, Hans Ulrich (2004). L'évolution technologique de la musique électronique au cours des 50 dernières années et son influence sur le travail du compositeur

All references of the same author:

(English)

Humpert, Hans Ulrich (1999). Elektronische Musik als Hochschulfach: Der elektronische Studio der Musikhochschule Köln (1965-1998) (Electronic Music as conservatorium study: The electronic studio at the Cologne Conservatorium 1965-1998