Keyword(s):Analysis , Computer Music , Interdisciplinary Artistic Work , Live Electronics
Through five of his works (Taire, L’écarlate, Marine, Demonology#11, Rare), the author explains his compositional process using computers from the first ideas to realisation with MAX/MSP. He discusses the problem of computational transcription of musical ideas and issues concerning the use of the computer in performance as an instrument.
Toeplitz, Kasper T. (2002). L'ordinateur comme instrument de concert - aussi une question d'écriture ?