Keyword(s):Interface , Synthesis and Resynthesis Techniques , Computer Music , Perception , Psychoacoustics
The author discusses mental models of computer music through three subjects: the synthesis of unheard sounds, the virtual orchestra and formal compositional processes. He demonstrates how new technologies and their interfaces are modifying our mental models and how these models are influencing future technologies.
Rossille, Frédéric-André (1998). Nouvelles technologies musicales et imageries mentales