McCartney, Andra

1998b

Where water meets

eContact!, vol. 1, no. 1. Montréal: CEC.

URL: http://cec.concordia.ca/econtact/Women%20in%20ea/McCartney.html

Language(s): English,  French

Keyword(s):

Acoustic Ecology Soundscape Composition Anecdotal Composition

Abstract:

The author presents three works by female composers Andra McCartney, Hildegard Westerkamp and Maggi Payne. She focuses on their soundscape use of water and what she calls ‘edges meeting’, an important concept for acoustic ecology and feminist theory.

Abstract translation(s):

(français)

McCartney, Andra (1998b). Où l'eau rencontre

All references of the same author:

(English)

McCartney, Andra (1995a). A Prelude to Ea Gender Issues
McCartney, Andra (1995b). The Ambiguous Relation (1/2)
McCartney, Andra (1995c). Inventing Images: Constructing and Contesting Gender in Thinking about Electroacoustic Music
McCartney, Andra (1996). The Ambiguous Relation (2/2)
McCartney, Andra (1998a). Soundwalk in the Park with Hildegard Westerkamp
McCartney, Andra (2000a). Soundwalking Interactions
McCartney, Andra (2000b). Hildegard Westerkamp's Moments of Laughter: Recording Childhood, Performing Motherhood, Refusing to Shup Up, and Laughing
McCartney, Andra (2000c). Soundscape Composition and the Subversion of Electroacoustic Norms
McCartney, Andra (2000d). Sounding Places with Hildegard Westerkamp
McCartney, Andra (2002a). Alien Intimacies: Hearing science fiction narratives in Hildegard Westerkamp's Cricket Voice (or ‘I don't like the country, the crickets make me nervous')
McCartney, Andra (2002b). Sharing Experiences Towards the Possibility of an Electroacoustic Ecology
McCartney, Andra (2003). In and Out of the Sound Studio

(Français)

McCartney, Andra (1995a). Un prélude aux problématiques en éa
McCartney, Andra (1995b). Le Rapport Ambigu (1/2)
McCartney, Andra (1996). Le Rapport Inconnu