URL: http://cec.concordia.ca/econtact/Voice/Bosma.html

Language(s): English,  French

Keyword(s):

Socio-Cultural Aspects of Electroacoustic Music ,  Electroacoustic Music ,  Plunderphonics

Abstract:

The author studies a particular case in electroacoustic music, where a composer uses a female voice in a piece. She discusses links between technology and female composers to explain the role of women in electronic music. Then she analyses the questions on authorship between the composer and a work’s sound material, in this case the female voice.

Abstract translation(s):

(français)

Bosma, Hannah (1998). La mort de la chanteuse. Le statut d'auteur et les voix de femmes dans la musique électronique

All references of the same author:

(English)

Bosma, Hannah (1996). Authorship and Female Voices in Electrovocal Music
Bosma, Hannah (1998a). Gender and Electroacoustics
Bosma, Hannah (2003). Bodies of Evidence, Singing Cyborgs and Other Gender Issues in Electrovocal Music

(Français)

Bosma, Hannah (1998a). Genre et électroacoustique