Keyword(s):Sound Transformation , Spatialisation , Computer Music , Live Electronics , Mixed Work , Sound Installation
After a short history of spatial use in music throughout the centuries, the author presents two of his works: the sound installation Solid and Inside the Eye of Silence for harpsichord and live electronics. He focuses on how he develops a modeling approach to Vitruvian (Roman Architect) concepts using MAX/MSP.
All references of the same author:
(English)Godman, Rob (2002). Ambient Sound and Resonating Spaces
Godman, Rob (2004b). The Enigma of Vitruvian Resonating Vases and the Relevancs of the Concept for Today