Keyword(s):Live Electronics , Listening Experience , Socio-Cultural Aspects of Electroacoustic Music , Computer Music
In this article the author addresses several issues of how audiences - encultured by pop media - form expectations while consuming electronic music in a traditional performance setting, and how these expectations undermine the listening experience.
All references of the same author:
(English)Cascone, Kim (2000). The Aesthetics of Failure: 'Post-Digital Tendencies in Contemporary Computer Music
Cascone, Kim (2001). The Microsound Scene: An Interview with Kim Cascone