URL: http://www.mitpressjournals.org/loi/lmj

Language(s): English

Keyword(s):

Graphic Interface ,  Real-time ,  Internet Music ,  Recycling ,  Sampling ,  Computer Music

Abstract:

Collective creation and the production of open and continuously evolving works are, according to the author, two of the major and more appealing artistic breakthroughs the Internet can offer to composers and creators in general. In this context, concepts such as authorship and copyright will necessarily have to evolve and adapt to a new reality. The author discusses an Internet project for real-time collective composition which has been used for the soundtrack of La Fura’s play F@ust 3.0.

All references of the same author:

(English)

Jordà, Sergi (2001a). New Musical Interfaces and New Music-making Paradigms
Jordà, Sergi (2001b). Improvising with Computer: A Personal Survey (1989-2001)
Jordà, Sergi (2002a). FMOL: Toward User-Friendly, Sophisticated New Musical Instruments
Jordà, Sergi (2002b). Improvising With Computers: A Personal Survey (1989-2001)
Jordà, Sergi (2003). Sonigraphical Instruments: From FMOL to the reacTable
Jordà, Sergi (2004). Digital Instruments and Players: Part I - Efficiency and Apprenticeship
Jordà, Sergi (2005). Multi-user Instruments: Models, Examples and Promises
JORDÀ, Sergi (2005). Digital Lutherie: Crafting musical computers for new musics' performance and improvisation