Keyword(s):Musique Concrète , Recording , Electronic Music
The technology of recording has played a major role in the evolution of electroacoustic music. This has extended not only to the recording and reproduction of materials but also to key components of the compositional process itself. Although such influences have become less prominent with the advent of digital technology, their impact during the formative years of electroacoustic music was significant and far-reaching. This article examines some key aspects of the pioneering era of creative development through the early 1950s, with particular reference to the Bauhaus sound artists, Pierre Schaeffer and musique concrète, and the Cologne studio for elektronische musik.
All references of the same author:
(English)Manning, Peter (1979). Invention and Innovation: A Vital Partnership
Manning, Peter (1992). Towards a New Age in the Technology of Computer Music
Manning, Peter (2004). Electronic and Computer Music - Revised and Expanded Edition
Manning, Peter (2006). The significance of techné in understanding the art and practice of electroacoustic composition