URL: http://www.rem.ufpr.br/REMv4/vol4/arti-palombini.htm

Language(s): English

Keyword(s):

Sound Object ,  Musique Concrète ,  Sound Source ,  Typo-morphologie (Typo-morphology) ,  Modes of Listening ,  Quatre Écoutes ,  Reduced Listening ,  Source Recognition ,  Timbre ,  Solfège ,  Socio-Cultural Aspects of Electroacoustic Music ,  Radiophonics ,  Typologie (Typology)

Abstract:

In this article, the author presents a reassessment of musique concrète, comprising historical contextualisation, critical synopsis, and interpretation of Schaeffer’s trajectory, from Études de bruits (1948) to Traité des objets musicaux (1966). Pierre Henry’s Variations pour une porte et un soupir (1963) are also presented as emblematic of the concrete procedure.

All references of the same author:

(English)

Palombini, Carlos (1993). Pierre Schaeffer, 1953: towards an Experimental Music
Palombini, Carlos (1993a). Pierre Schaeffer: from Research into Noises to Experimental Music
Palombini, Carlos (1993b). Pierre Schaeffer's Typo-Morphology of Sonic Objects
Palombini, Carlos (1998). Technology and Pierre Schaeffer: Pierre Schaeffer's Arts-Relais, Walter Benjamin's technische Reproduzierbarkeit and Martin Heidergger's Ge-stell
Palombini, Carlos (1998b). Pierre Schaeffer, 1953: Towards an Experimental Music
Palombini, Carlos (1999). Retorno a la música concreta (Return to Concrete Music)
Palombini, Carlos (2000). The Brazilian Group for Computer Music Research: A Proto-History
Palombini, Carlos (2001). Ideas for a Musicology of Electroacoustic Musics: Notes to a Reading of Landy
Palombini, Carlos (2001a). Pierre Schaeffer: a Survey of the Literature

(Español)

Palombini, Carlos (1999). Retorno a la música concreta