URL: http://www.rem.ufpr.br/REMv6/Palombini/Palombini.html

Language(s): English

Keyword(s):

Serialism ,  Socio-Cultural Aspects of Electroacoustic Music ,  Electroacoustic Music

Abstract:

The musicology of electroacoustic music has been reviewed by Landy (1999) in accordance with the traditional division of the discipline: historical musicology, systematic musicology and ethnomusicology, plus critical musicology. Because electroacoustic music cannot accept some tenets of Western art music, its musicology is necessarily critical. A study of musique concrète illustrates this. Electroacoustic music and its musicology are isomorphs in so far as both proceed by bricolage.

All references of the same author:

(English)

Palombini, Carlos (1993). Pierre Schaeffer, 1953: towards an Experimental Music
Palombini, Carlos (1993a). Pierre Schaeffer: from Research into Noises to Experimental Music
Palombini, Carlos (1993b). Pierre Schaeffer's Typo-Morphology of Sonic Objects
Palombini, Carlos (1998). Technology and Pierre Schaeffer: Pierre Schaeffer's Arts-Relais, Walter Benjamin's technische Reproduzierbarkeit and Martin Heidergger's Ge-stell
Palombini, Carlos (1998b). Pierre Schaeffer, 1953: Towards an Experimental Music
Palombini, Carlos (1999). Retorno a la música concreta (Return to Concrete Music)
Palombini, Carlos (2000). The Brazilian Group for Computer Music Research: A Proto-History
Palombini, Carlos (2001a). Pierre Schaeffer: a Survey of the Literature
Palombini, Carlos (2002). Musique Concrète Revisited

(Español)

Palombini, Carlos (1999). Retorno a la música concreta