Keyword(s):Formalism , Abstract-shaping , Spectral Shaping , Discourse within Electroacoustic Music , Mixed Work , Timbral Composition
In this essay, the author discusses his approaches to composing using sound synthesis techniques, in particular, the influence that timbre manipulation has had on his compositional approaches.
All references of the same author:
(English)Harvey, Jonathan (1985). Electronics in Music: A New Aesthetic
Harvey, Jonathan (1999). The Metaphysics of Live Electronics