McCartney, Andra

2002b

Sharing Experiences Towards the Possibility of an Electroacoustic Ecology

Soundscape: The Journal of Acoustic Ecology: Vol. 3, No. 1. Burbury, B. C.: Simon Fraser University: p. 22.

URL: http://interact.uoregon.edu/MediaLit/WFAE/journal/index.html

Language(s): English

Keyword(s):

Acoustic Ecology Soundscape Composition Field Recording Electroacoustic Music

Abstract:

In this brief article, the author reflects on the extent to which she is dependent on technology to realise her sonic art, and how she reconciles this dependence in the context of acoustic ecology.

All references of the same author:

(English)

McCartney, Andra (1995a). A Prelude to Ea Gender Issues
McCartney, Andra (1995b). The Ambiguous Relation (1/2)
McCartney, Andra (1995c). Inventing Images: Constructing and Contesting Gender in Thinking about Electroacoustic Music
McCartney, Andra (1996). The Ambiguous Relation (2/2)
McCartney, Andra (1998a). Soundwalk in the Park with Hildegard Westerkamp
McCartney, Andra (1998b). Where water meets
McCartney, Andra (2000a). Soundwalking Interactions
McCartney, Andra (2000b). Hildegard Westerkamp's Moments of Laughter: Recording Childhood, Performing Motherhood, Refusing to Shup Up, and Laughing
McCartney, Andra (2000c). Soundscape Composition and the Subversion of Electroacoustic Norms
McCartney, Andra (2000d). Sounding Places with Hildegard Westerkamp
McCartney, Andra (2002a). Alien Intimacies: Hearing science fiction narratives in Hildegard Westerkamp's Cricket Voice (or ‘I don't like the country, the crickets make me nervous')
McCartney, Andra (2003). In and Out of the Sound Studio

(Français)

McCartney, Andra (1995a). Un prélude aux problématiques en éa
McCartney, Andra (1995b). Le Rapport Ambigu (1/2)
McCartney, Andra (1996). Le Rapport Inconnu
McCartney, Andra (1998b). Où l'eau rencontre