URL: http://www.mitpressjournals.org/loi/comj

Language(s): English

Keyword(s):

Sound Transformation ,  Spectral Shaping ,  Time-stretching ,  Vocoding ,  Utterance ,  Spatialisation ,  Text-sound Composition ,  Tape Music ,  Time Compression

Abstract:

In this article, the author discusses the compositional techniques used to create Vox-5, the fifth work in a series of six that explore the musical possibilities of the human voice.

All references of the same author:

(English)

Wishart, Trevor (1978). Red Bird: A Document
Wishart, Trevor (1984). Soundscape Design in the Jorvik Viking Centre Museum
Wishart, Trevor (1986a). Sound Symbols and Landscapes
Wishart, Trevor (1986b). The Environment for Computer Music Composition
Wishart, Trevor (1989). The Function of Text in the VOX cycle
Wishart, Trevor (1991). Computer Music and Post-Modernism
Wishart, Trevor (1992). Music and Technology: Problems and Perspectives
Wishart, Trevor (1993). From Architecture to Chemistry
Wishart, Trevor (1994). Audible Design: A Plain and Easy Introduction to Practical Sound Design
Wishart, Trevor (1996a). On Sonic Art - Revised Edition
Wishart, Trevor (1996b). The Situation of the Sonic Arts Today
Wishart, Trevor (2000). Sonic Composition in Tongues of Fire