Keyword(s):Computer Music , Live Electronics
In this article, the author reflects on the operational requirements and aesthetic value of a hypothetical computer system designed to operate in a real-time, live music performance situation. He also discusses the then current trends in live electronic music.
All references of the same author:
(English)Puckette, Miller (1994). Is There Life After MIDI?
Puckette, Miller (2002). Max at Seventeen