URL: http://www.mitpressjournals.org/loi/lmj

Language(s): English

Keyword(s):

Aleatory ,  Constraint-based Composition ,  Live Electronics ,  Experimental Music ,  Mixed Work

Abstract:

In this article, the author traces the development of David Tudor’s approach to live electronic music from his work as a pianist and assesses the extent to which the indeterminate notations he so often realised entered into the development of his approach to electronic systems.