Keyword(s):Hybrid Thinking , Recycling , Sampling , Socio-Cultural Aspects of Electroacoustic Music
In this chapter, the author explores what appear to be some of the most resilient discourses around world music, and the manner in which they promote and even justify the technological appropriation of it; specifically, the fetishisation of musical sounds that has taken place since the rise of sampling in popular music.
All references of the same author:
(English)Théberge, Paul (1997). Any Sound You Can Imagine: Making Music/Consuming Technology