Emmerson, Simon

1994a

‘Local/Field': Towards a Typology of Live Electroacoustic Music

In Proceedings of the 1994 International Computer Music Conference - Aarhus. San Francisco, CA: ICMA: 31-34.
Also published in: Journal of Electroacoustic Music. Vol. 9. London: Sonic Arts Network: 10-13. [1996]

URL: http://www.computermusic.org

Language(s): English

Keyword(s):

Live Electronics Diffusion Electroacoustic Music Mixed Work

Abstract:

In this paper, the author address problems in the diffusion of live and mixed electroacoustic music, proposing a dual sound control system whereby a delicate balance is created between local control by the instrumentalist(s) of the live sound and control of the overall sound environment - the field.

All references of the same author:

(English)

Emmerson, Simon (1976). Electronic Music in Education
Emmerson, Simon (1982). Analysis and the Composition of Electro-Acoustic Music
Emmerson, Simon (1986). The Relation of Language to Materials
Emmerson, Simon (1989). Composing Strategies and Pedagogy
Emmerson, Simon (1991). Interview with Jonathan Harvey
Emmerson, Simon (1994b). 'Live' versus 'Real-time'
Emmerson, Simon (1995a). Analysis of Live Electronic Music
Emmerson, Simon (1995b). Electroacoustic Music: Aesthetic Situation and Perspectives
Emmerson, Simon (1996). Sentences for Soprano and Electronics: Towards a Poetics of Live Electronic Music
Emmerson, Simon (1998a). Acoustic/Electroacoustic: The Relationship with Instruments
Emmerson, Simon (1998b). Aural Landscape: Musical Space
Emmerson, Simon (2000a). Crossing Cultural Boundaries Through Technology?
Emmerson, Simon (2000b). ‘Losing Touch?': The Human Performer and Electronics
Emmerson, Simon (2000c). Time Regained
Emmerson, Simon (2001a). New Spaces/New Places: a Sound House for the performance of electroacoustic music and sonic art
Emmerson, Simon (2001b). From Dance to Dance: Distance and Digits
Emmerson, Simon (2001c). Pentes: A Conversation with Denis Smalley
Emmerson, Simon (2001d). The Electroacoustic Harpsichord
Emmerson, Simon (2006). In what form can ‘live electronic music' live on?