Keyword(s):Aural Analysis , Discourse within Electroacoustic Music , Listening Experience , Electroacoustic Music
In this article, the author presents an account of a research project in which an analytical approach to a group of electroacoustic works was developed from the reported experience of listeners, aided by diagrammatic scores that helped to focus attention and identify points for discussion.
All references of the same author:
(English)Bridger, Michael (2002). Narrativisation in Electroacoustic and Computer Music - Reflections on Empirical Research into Listeners' Response