Vaggione, Horacio

1993

Determinism and the False Collective: About Models of Time in Early Computer-Aided Composition

Contemporary Music Review: Vol. 7, No, 2. Chur: Harwood: 91-104.

URL: http://www.tandf.co.uk/journals/titles/07494467.asp

Language(s): English

Keyword(s):

Formalism Stochastic Music Computer Music

Abstract:

In this article, the author offers his opinion on several ideas that were expressed by John Myhill in a 1978 International Computer Music conference talk. In particular, problems concerning the meaning of particular pairs of oppositions; stochasticity/determinism, periodicity/non-periodicity, and culture-rooted/trans-cultural facts, in relation to stylistic coherence and the nature of music. The author discusses the musical meaning of formal procedures used in the field of computer aided composition, attempting to clarify the role of the computer in a more highly developed compositional environment, looking forward to the use of the computer as a tool for articulating time.

All references of the same author:

(English)

Vaggione, Horacio (1982). Le courant et le maintenu
Vaggione, Horacio (1991). Jeux d'espaces : conjonctions et disjonctions
Vaggione, Horacio (1994). Timbre as Syntax: A Spectral Modeling Approach
Vaggione, Horacio (1995). About the Electroacoustic Approach: Situations, Perspectives
Vaggione, Horacio (1996a). Morphological Transformations Though Analysis and Resynthesis
Vaggione, Horacio (1996b). Articulating Microtime
Vaggione, Horacio (1998a). L'espace composable. Sur quelques catégories opératoires dans la musique électroacoustique
Vaggione, Horacio (1998b). Transformations Morphologiques et Echelles Temporelles
Vaggione, Horacio (2001). Some Ontological Remarks about Music Composition Processes
Vaggione, Horacio (2002). Décorrélation microtemporelle, morphologies et figurations spatiales
Vaggione, Horacio (2003). Composition musicale et moyens informatiques : questions d'approche
Vaggione, Horacio (2005). Notes on Atem

(Français)

Vaggione, Horacio (1982). Le courant et le maintenu
Vaggione, Horacio (1991). Jeux d'espaces : conjonctions et disjonctions
Vaggione, Horacio (1998a). L'espace composable. Sur quelques catégories opératoires dans la musique électroacoustique
Vaggione, Horacio (1998b). Transformations Morphologiques et Echelles Temporelles
Vaggione, Horacio (2002). Décorrélation microtemporelle, morphologies et figurations spatiales
Vaggione, Horacio (2003). Composition musicale et moyens informatiques : questions d'approche

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