URL: http://www.tandf.co.uk/journals/titles/09298215.asp

Language(s): English

Keyword(s):

Aural Analysis ,  Formalism ,  Electronic Music

Abstract:

In this article, the author proposes a method for the analysis of electronic and computer music, one that looks outside of the traditional musicological canon. He offers a practical example of this method through an analysis of György Ligeti’s first electronic music composition - Glissandi (1957).

All references of the same author:

(English)

DOATI, Roberto (1984). Symmetry, Regularity, Direction, Velocity
DOATI, Roberto (1994). Dimensione acustica - dimensione elettronica: interazioni linguistiche in un pezzo per suoni di flauto e suoni sintetici (The acoustic dimension – electronic dimension: linguistic interactions in a work for flute and synthetic sounds)

(Italiano)

DOATI, Roberto (1994). Dimensione acustica - dimensione elettronica: interazioni linguistiche in un pezzo per suoni di flauto e suoni sintetici