Keyword(s):Acoustic Model , Mapping , Macro-level Structure , Micro-level Structure , Field Recording , Environmental Sound , Mimesis
In this paper, the author presents a method that bases compositional structure on natural phenomena extracted from real-world processes. She illustrates this approach through examples drawn from her own works.
All references of the same author:
(English)Barrett, Natasha (2000a). Musical Structure, Shifting Perspectives and Composition
Barrett, Natasha (2002). Spatio-musical Composition Strategies
Barrett, Natasha (2005). Adsonore