Chadabe, Joel

2003

Where We're Going

Musicworks: No. 85. Toronto: Musicworks Society of Ontario: 8-9.

URL: http://www.musicworks.ca/

Language(s): English

Keyword(s):

Impact of Electroacoustic Music

Abstract:

In this brief article, the author notes that we are living in an age in which art is becoming more accessible than ever. However, with less financial support coming from state sources, contemporary art music now finds itself subject to the whims of the ‘art marketplace’. In order to establish a strong identity in this marketplace, and to make their work known to a larger public, the author suggests that art music composers should focus on outreach and the promotion of their art form.

All references of the same author:

(English)

Chadabe, Joel (1972). Le principe du voltage-control et ses implications pour le compositeur
Chadabe, Joel (1975). The Voltage-Controlled Synthesizer
Chadabe, Joel (1981). Paths to a Point in a Musical Landscape
Chadabe, Joel (1983). Interactive Composing: An Overview
Chadabe, Joel (1984). Interactive Composing: An Overview
Chadabe, Joel (1996). The History of Electronic Music as a Reflection of Structural Paradigms
Chadabe, Joel (1997a). The Electronic Music Foundation
Chadabe, Joel (1997b). Electric Sound: The Past and Promise of Electronic Music
Chadabe, Joel (1999a). The Performer is Us
Chadabe, Joel (1999b). A Brief Overview of Otto Laske's Work
Chadabe, Joel (2000a). Devices I have Known and Loved
Chadabe, Joel (2000b). Remarks on Computer Music Culture
Chadabe, Joel (2001). Preserving Performances of Electronic Music
Chadabe, Joel (2002). The Limitations of Mapping as a Structural Descriptive in Electronic Instruments
Chadabe, Joel (2004a). Electronic Music and Life
Chadabe, Joel (2004b). Look Around and Get Engaged

(Français)

Chadabe, Joel (1972). Le principe du voltage-control et ses implications pour le compositeur