Chadabe, Joel

2000b

Remarks on Computer Music Culture

Computer Music Journal: Vol. 24, No. 4. Cambridge, MA: MIT Press: 9-11.

URL: http://www.mitpressjournals.org/loi/comj

Language(s): English

Keyword(s):

Socio-Cultural Aspects of Electroacoustic Music Computer Music

Abstract:

In this article, the author comments on the extent to which technology is beginning to facilitate a flow of ideas between high art and popular art, and so has the potential to begin breaking down the barriers that exist between the two. He characterises the current culture of computer music and discusses the means through which computer music of the ’high art’ culture might begin to access a broader audience.

All references of the same author:

(English)

Chadabe, Joel (1972). Le principe du voltage-control et ses implications pour le compositeur
Chadabe, Joel (1975). The Voltage-Controlled Synthesizer
Chadabe, Joel (1981). Paths to a Point in a Musical Landscape
Chadabe, Joel (1983). Interactive Composing: An Overview
Chadabe, Joel (1984). Interactive Composing: An Overview
Chadabe, Joel (1996). The History of Electronic Music as a Reflection of Structural Paradigms
Chadabe, Joel (1997a). The Electronic Music Foundation
Chadabe, Joel (1997b). Electric Sound: The Past and Promise of Electronic Music
Chadabe, Joel (1999a). The Performer is Us
Chadabe, Joel (1999b). A Brief Overview of Otto Laske's Work
Chadabe, Joel (2000a). Devices I have Known and Loved
Chadabe, Joel (2001). Preserving Performances of Electronic Music
Chadabe, Joel (2002). The Limitations of Mapping as a Structural Descriptive in Electronic Instruments
Chadabe, Joel (2003). Where We're Going
Chadabe, Joel (2004a). Electronic Music and Life
Chadabe, Joel (2004b). Look Around and Get Engaged

(Français)

Chadabe, Joel (1972). Le principe du voltage-control et ses implications pour le compositeur