Keyword(s):Microsound , Spatialisation , Electroacoustic Music
This article presents an interview with author and composer Curtis Roads that focuses on his work as a composer. He discusses the enduring quality electroacoustic music, the art music/pop music relationship, his inspirational influences (particularly microsound), his compositional approaches, and his thoughts about the future of electroacoustic music.
All references of the same author:
(English)Robindoré, Brigitte (1996). Eskhaté Ereuna: Extending the Limits of Musical Thought-Comments On and By Iannis Xenakis
Robindore, Brigitte (1998). Luc Ferrari: Interview with an Intimate Iconoclast