Keyword(s):Mapping , Visual Representation , Narrative , Audio-vision , Multimedia
In this article, the author discusses the many ways in which computer music and video can be combined and made interdependent in particular works of art. He offers a brief overview of some of the issues in music representation and mapping, and discusses the artistic strategies that he has employed using a cross-media approach in his works; When Timbre Comes Apart (1992-95), Concrete Net (1996), Planet (Terra) (1988, 1996), and Construction Drive (2005).
All references of the same author:
(English)Rudi, Jøran (1996). Electroacoustics in Norway - This Site Under Construction
Rudi, Jøran (1998). Computer Music Animations
Rudi, Jøran (2003). Norge - et Lydrike, Norway Remixed: A sound installation
Rudi, Jøran (2005b). ‘From a musical point of view, the world is musical at any given moment': an interview with Bill Fontana
(Français)Rudi, Jøran (1996). L'électroacoustique en Norvège - Un site en construction