URL: http://www.tandf.co.uk/journals/titles/07494467.asp

Language(s): English

Keyword(s):

Object-oriented ,  Grain ,  Granular Synthesis and Resynthesis ,  Computer Music ,  Electroacoustic Music ,  Morphology

Abstract:

In the 1980s, Haracio Vaggione began coupling his compositional work with theorisation that can in many ways be described as conceptualising the issues at stake in recent music. In this article, the author attempts to summarise and comment on this conceptualisation by proposing an overview through five distinctive themes: Interaction, Time, Morphology, Singularities, and Object Networks.

All references of the same author:

(English)

Solomos, Makis (1999a). Schaeffer phénoménologue
Solomos, Makis (1999b). Notes sur François-Bernard Mâche et L'estuaire du temps
Solomos, Makis (2001). The Unity of Xenakis's Instrumental and Electroacoustic Music: the Case for 'Brownian Movements'
Solomos, Makis (2004). Xenakis' Thought Through his Writings

(Français)

Solomos, Makis (1999a). Schaeffer phénoménologue
Solomos, Makis (1999b). Notes sur François-Bernard Mâche et L'estuaire du temps