Language(s): French

Keyword(s):

Synthesis and Resynthesis Techniques ,  Additive Synthesis ,  Analysis ,  Digital Music ,  Perception

Abstract:

This is part two of a five part series of interviews in which Jean-Claude Risset discusses his tape music.

Part 2. A chronological approach from 1968 to 1998.

This interview presents the principal musical approaches of Jean-Claude Risset through a comparative analysis of Mutation 1, Électron-Positron, Écho pour John Pierce and Avel. The composer explains his choices of synthesis models and the place of memory in his compositional process.

Abstract translation(s):

(français)

Gérando, Stéphane de, Risset, Jean-Claude (2004). À propos de l'œuvre pour bande seule de Jean-Claude Risset

All references of the same author:

(English)

Gérando, Stéphane de, Risset, Jean-Claude (2003). À propos de l'œuvre pour bande seule de Jean-Claude Risset

(Français)

Gérando, Stéphane de, Risset, Jean-Claude (2003). À propos de l'œuvre pour bande seule de Jean-Claude Risset