Keyword(s):Recording , MIDI , Socio-Cultural Aspects of Electroacoustic Music , Computer Music
The revolution of computer music in the 1980s established the beginning of a new musical history. New technologies allowed us to think about sound and its representations in new ways. However, there is still a lack of conceptual theories concerning the analysis of these representations and therefore problems in terms of developing new analytical software.
Stiegler, Bernard, Dessy, Jean-Paul, Franck, Philippe (2003). Le train. Sur quelques enjeux et (r)Úvolutions des musiques d'aujourd'hui