Language(s): French

Keyword(s):

Recording ,  MIDI ,  Socio-Cultural Aspects of Electroacoustic Music ,  Computer Music

Abstract:

The revolution of computer music in the 1980s established the beginning of a new musical history. New technologies allowed us to think about sound and its representations in new ways. However, there is still a lack of conceptual theories concerning the analysis of these representations and therefore problems in terms of developing new analytical software.

Abstract translation(s):

(français)

Stiegler, Bernard, Dessy, Jean-Paul, Franck, Philippe (2003). Le train. Sur quelques enjeux et (r)évolutions des musiques d'aujourd'hui