Keyword(s):Computing , Electroacoustic Devices , Real-time , Computer Music , Digital Music
The author discusses the digital music studio of the Groupe de Recherches Musicales (GRM). Through the musical and sonic ideas of composers, he details the different devices, their role in compositional processes, their place in the studio, and the differences/relationships between real-time and deferred-time.
Maillard, Benedict (1981). Un studio numérique de travail sur le son