Language(s): French

Keyword(s):

Musique Concrète ,  Electronic Music

Abstract:

This historical article is a critique of the then new musique concrète (1958). Pierre Boulez describes musique concrète as an inconsequential anarchic music with “execrable” sounds realised in a flea market studio in front of the serious electronic music studios of Cologne and Milan.

Abstract translation(s):

(français)

Boulez, Pierre (1958). Concrète (Musique)

All references of the same author:

(English)

Boulez, Pierre (1986). Technology and the Composer