In this brief paper, the author investigates the ways in which multi-channel spatialisation can become an integral part of the structure of music. He supports his discussion through examples of his own work.
All references of the same author:
(English)Clarke, Michael (1996). Composing at the Intersection of Time and Frequency
Clarke, Michael (1998). Extending Contacts: the Concept of Unity in Computer Music
Clarke, Michael (1999b). Revisiting Kontakte: Issues of History, Performance and Intuition