Keyword(s):Listening Experience , Perception , Psychoacoustics
In this brief paper, the author discusses a theoretical system that analyses computer music and simulates the audience’s emotional reaction. The author argues that this system would aid computer music composers in creating works that are more appealing to wider audiences.
All references of the same author:
(English)Milicevic, Mladen (1996). The Impact of Fractals, Chaos, and Complexity Theory on Computer Music Composition
Milicevic, Mladen (1998). Deconstructing Musical Structure
Milicevic, Mladen (1999b). How Objective is Music?
Milicevic, Mladen (2001). Cyberspace Memes