URL: http://www.tandf.co.uk/journals/titles/09298215.asp

Language(s): English

Keyword(s):

Automated Composition ,  Structural Analysis ,  Algorithmic Music ,  Stochastic Music

Abstract:

In this article, the author analyses the pitch structure of Iannis Xenakis’ last electroacoustic project - the algorithmic composition, Gendy3 (1991) - using an analytical tool modelled on the same algorithm as the composer’s.