Keyword(s):Granular Synthesis and Resynthesis , Real-time , Live Electronics
In this article, the author discusses research in real-time granular sampling techniques. He suggests that although similar to granular synthesis techniques, granular sampling is a distinct technique in that it is particularly applicable to musique concrete - where recorded sounds are manipulated and transformed, whereas granular synthesis is applicable to elektronische Musik - making use of purely synthetic sounds. He also describes a user interface that he designed for controlling granular sampling in real time.
All references of the same author:
(English)Lippe, Cort (1996). Real-Time Interactive Digital Signal Processing: A View of Computer Music