Supper, Martin

1997

Elektroakustische Musik und Computermusik; Geschichte-ństhetik-Methoden-Systeme (Electroacoustic Music and Computer Music: History, Aesthetics, Methods, Systems)

Darmstadt: Wolke.

Language(s): German

Keyword(s):

Cognitive Science AI Formalism Synthesis and Resynthesis Techniques Composed Space Interactivity

Abstract:

This is a wide-ranging introduction to the subject including historical, theoretical (including compositional approach), aesthetic and technical information foci - a major German-language resource. The book also includes extensive bibliographies that have been presented by subject area.

Table of contents:

Historical overview
Timbre (Klangfarbe) and sound synthesis
Score synthesis [algorithmic composition]
Artificial Intelligence and Cognition
Music and Space

Abstract translation(s):

(Deutsch)

Supper, Martin (1997). Elektroakustische Musik und Computermusik; Geschichte-ństhetik-Methoden-Systeme

All references of the same author:

(Deutsch)

SUPPER, Martin (1992). Clarenz Barlows Computeranwendungen : '...eine Maschine, um die Arbeit abzunehmen...'
SUPPER, Martin (1994). Trivial oder nichttrivial...

(English)

SUPPER, Martin (1992). Clarenz Barlows Computeranwendungen : '...eine Maschine, um die Arbeit abzunehmen...' (Clarenz Barlow's computer applications: ' ... a machine that reduces your work ... ')
SUPPER, Martin (1994). Trivial oder nichttrivial... (Trivial or not trivial ...)
Supper, Martin (1999). Technische Systeme von Klanginstallationen (Technical Systems related to Sound Installations)
Supper, Martin (2001). A Few Remarks on Algorithmic Composition