Language(s): German
Keyword(s):
Interdisciplinary Artistic Work , Sound Art , Sound InstallationAbstract:
In this introductory chapter of this reference book, the author investigates various points of intersection between the fine arts and music in the previous century. This creates an historical context for discussions concerning what sound art is and whether it is the synthesis of art forms or one in its own right. This first chapter creates the context for the entire volume.
Abstract translation(s):
(Deutsch)La Motte-Haber, Helga de, ed., (1999). Klangkunst: Die gedanklichen und geschichtlichen Voraussetzungen
All references of the same author:
(Deutsch)
LA MOTTE-HABER, Helga de (1992). In den Extremen der Dynamik. Maryanne Amachers Wahrnehmungslandschaften(English)
LA MOTTE-HABER, Helga de (1992). In den Extremen der Dynamik. Maryanne Amachers Wahrnehmungslandschaften (In the Extremes of Dynamics: Maryanne Amacher's Perception Landscapes)La Motte-Haber, Helga de (1999c). Zwischen Performance und Installation (Between Performance and Installation)