URL: http://hct.ece.ubc.ca/nime/2005/proc/nime2005_023.pdf

Language(s): English

Keyword(s):

Electroacoustic Devices ,  Electroacoustic Instruments ,  Interactive Instruments ,  Live Electronics

Abstract:

In this paper, the author conducts an evaluation of multi-user instruments. He discusses several previous studies and taxonomies, and offers brief descriptions of seven existing examples of multi-user instruments: Imaginary Landscapes No. 4 (1951), Mikrophonie I (1964), The League of Automatic Composers (1978), Sensorband’s SoundNet (1995), The Squeezables (2001), The Tooka (2002), The reacTable*.

All references of the same author:

(English)

Jordà, Sergi (1999). Faust Music On Line: (FMOL) An Approach to Real-Time Collective Composition on the Internet
Jordà, Sergi (2001a). New Musical Interfaces and New Music-making Paradigms
Jordà, Sergi (2001b). Improvising with Computer: A Personal Survey (1989-2001)
Jordà, Sergi (2002a). FMOL: Toward User-Friendly, Sophisticated New Musical Instruments
Jordà, Sergi (2002b). Improvising With Computers: A Personal Survey (1989-2001)
Jordà, Sergi (2003). Sonigraphical Instruments: From FMOL to the reacTable
Jordà, Sergi (2004). Digital Instruments and Players: Part I - Efficiency and Apprenticeship
JORDÀ, Sergi (2005). Digital Lutherie: Crafting musical computers for new musics' performance and improvisation