Keyword(s):Interactivity , Electroacoustic Instruments , Emergence , Audio-vision , Multimedia
In this article, acknowledging a radical shift in what it is to play an instrument in a technologically expanded environment, the author explores ideas of a turning inside-out of the traditional body-instrument-space. The inside-out instrument develops, not as an exoskeleton, but as an exocentric (rather than egocentric) space of interaction. Part of this inside-out instrument is the treatment of space through light and image projections as well as through sound. The audio-visual-spatial nature of the instrument is a central part of the discussion and the author identifies pre-cursors to this spatialization, including works that create the folding of space with cameras and projectors used as instrumental extensions of the body. The Light-House, the Video-Walks and (to a lesser extent) the Meta-Orchestra 1 are used as examples of the three forms of inhabited, explorative and collaborative instruments developed as part of the author’s performance research project Score Spaces.
All references of the same author:
(English)Harris, Yolande (2004). The Meta-Orchestra: Research by practice in group multi-disciplinary electronic arts