Dack, John

1994

Pierre Schaeffer and the Significance of Radiophonic Art

Contemporary Music Review. Vol. 10, No. 2: London: Harwood: 3-11.

URL: http://www.sonic.mdx.ac.uk/research/dackpierre.html

Language(s): English

Keyword(s):

Musique Concrète Schaefferian Theory Radiophonics

Abstract:

In this article, the author discusses the contribution made by radiophonic art to the development of Pierre Schaeffer’s musical thought. By establishing this link the author intends to clarify the status of anecdotal sounds in electroacoustic music.

All references of the same author:

(English)

Dack, John (1993). A la Recherche de l'Instrument Perdu
Dack, John (1997). Pedagogy and the Studio
Dack, John (1998a). Strategies in the Analysis of Karlheinz Stockhausen's Kontakte für elektronische Klänge, Klavier, und Schlagzeug
Dack, John (1998b). Systematising the Unsystematic
Dack, John (1999a). Karlheinz Stockhausen's Kontakte and Narrativity
Dack, John (1999b). The Creative Power of the Machine
Dack, John (2000). Ludwig Van Henry - An Interview with Pierre Henry
Dack, John (2001). Diffusion as Performance
Dack, John (2002a). Histories and Ideologies of Synthesis
Dack, John (2002b). Abstract and Concrete
Dack, John (2003a). Can the Analogue Past Inform the Digital Present?
Dack, John (2003b). Sound, Installations and Music
Dack, John (2003c). Ear-training using the computer and PROGREMU
Dack, John (2004). 'Open' Forms and the Computer