Keyword(s):Sound Shaping , Synthesis and Resynthesis Techniques , Live Electronics , Mixed Work
In this article, the author discusses the criteria and the means by which Los Dados Eternos a mixed work for oboe, tape and real-time live processing was realised.
All references of the same author:
(English)Fischman, Rajmil (1994b). Music for the Masses
Fischman, Rajmil (1997a). Phase Vocoder: Theory and Practice
Fischman, Rajmil (1997b). Analysis of Crosstalk: A work by Michael Vaughan
Fischman, Rajmil (1999). Score of Point-virgule (Electro-clip by Jean-François Denis)