Miranda, Eduardo Reck

1994

From Symbols to Sound: AI-based Investigation of Sound Synthesis

Contemporary Music Review. Vol. 10, No. 2: London: Harwood: 211-232.

URL: http://www.tandf.co.uk/journals/titles/07494467.asp

Language(s): English

Keyword(s):

AI Computing Synthesizer Synthesis and Resynthesis Techniques

Abstract:

In this somewhat technical article, the author investigates the possibility of developing an artificially intelligent (AI) system for sound synthesis that would allow composition with sounds thought of in terms of abstract descriptions and operations rather than low level computer programming. He examines the means of mapping a composer’s intuitive motion of sound structure on to the parametric control of electronic sound synthesis; focussing on the problem from a musician’s point of view, rather than from a solely technological one.

All references of the same author:

(English)

Miranda, Eduardo Reck (1994). The Role of Artificial Intelligence in Computer Aided Sound Composition
Miranda, Eduardo Reck (1998). The Role of Speech Synthesis in Requiem per un veu perdida
Miranda, Eduardo Reck (1999a). De los orígenes de la música a la vida artificial (From the origins of music to Artificial Life)
Miranda, Eduardo Reck (1999c). Music, Machines, Intelligence and the Brain
Miranda, Eduardo Reck (2001). Composers and Computer Music Technology in Brazil
Miranda, Eduardo Reck (2005). Artificial Phonology: Disembodied Humanoid Voice for Composing Music with Surreal Languages

(Español)

Miranda, Eduardo Reck (1999). De los orígenes de la música a la vida artificial