Dack, John

1999b

The Creative Power of the Machine

Electroacoustic Music - Journal of the Electroacoustic Music Association of Great Britain: Vol. 12. London: Sonic Arts Network.

URL: http://www.sonic.mdx.ac.uk/research/dackmachine.html

Language(s): English

Keyword(s):

Music Education Live Electronics Real-time

Abstract:

In this article, through various references to the Sonic Arts degree programme at Middlesex University, the author discusses the relationship between live performers and the electroacoustic medium. He focuses on the manipulation and transformation of instrumental sounds in live performance.

All references of the same author:

(English)

Dack, John (1993). A la Recherche de l'Instrument Perdu
Dack, John (1994). Pierre Schaeffer and the Significance of Radiophonic Art
Dack, John (1997). Pedagogy and the Studio
Dack, John (1998a). Strategies in the Analysis of Karlheinz Stockhausen's Kontakte für elektronische Klänge, Klavier, und Schlagzeug
Dack, John (1998b). Systematising the Unsystematic
Dack, John (1999a). Karlheinz Stockhausen's Kontakte and Narrativity
Dack, John (2000). Ludwig Van Henry - An Interview with Pierre Henry
Dack, John (2001). Diffusion as Performance
Dack, John (2002a). Histories and Ideologies of Synthesis
Dack, John (2002b). Abstract and Concrete
Dack, John (2003a). Can the Analogue Past Inform the Digital Present?
Dack, John (2003b). Sound, Installations and Music
Dack, John (2003c). Ear-training using the computer and PROGREMU
Dack, John (2004). 'Open' Forms and the Computer