Keyword(s):Acoustic Ecology , Soundscape Composition , Aural Analysis , Discourse within Electroacoustic Music
In this article, the author offers a brief introduction to environmental composition. She then offers a commentary on the soundscape compositions, working practices, and underlying philosophy of Canadian composer Hildegard Westerkamp. This commentary is supported by extracts of a conversation between Westerkamp and author of the article.
All references of the same author:
(English)Zapf, Donna (1981a). The World Soundscape Project Revisited