Emmerson, Simon

1976

Electronic Music in Education

Composer: No. 58 (Summer). London: British Music Information Centre: 33-34.

Language(s): English

Keyword(s):

Music Education

Abstract:

In this very brief article, the author presents his thoughts concerning the role he feels electronic music can play in education. He suggests several practical steps for installing the basic technology required for electronic music making in education (ca.1976).

All references of the same author:

(English)

Emmerson, Simon (1982). Analysis and the Composition of Electro-Acoustic Music
Emmerson, Simon (1986). The Relation of Language to Materials
Emmerson, Simon (1989). Composing Strategies and Pedagogy
Emmerson, Simon (1991). Interview with Jonathan Harvey
Emmerson, Simon (1994a). ‘Local/Field': Towards a Typology of Live Electroacoustic Music
Emmerson, Simon (1994b). 'Live' versus 'Real-time'
Emmerson, Simon (1995a). Analysis of Live Electronic Music
Emmerson, Simon (1995b). Electroacoustic Music: Aesthetic Situation and Perspectives
Emmerson, Simon (1996). Sentences for Soprano and Electronics: Towards a Poetics of Live Electronic Music
Emmerson, Simon (1998a). Acoustic/Electroacoustic: The Relationship with Instruments
Emmerson, Simon (1998b). Aural Landscape: Musical Space
Emmerson, Simon (2000a). Crossing Cultural Boundaries Through Technology?
Emmerson, Simon (2000b). ‘Losing Touch?': The Human Performer and Electronics
Emmerson, Simon (2000c). Time Regained
Emmerson, Simon (2001a). New Spaces/New Places: a Sound House for the performance of electroacoustic music and sonic art
Emmerson, Simon (2001b). From Dance to Dance: Distance and Digits
Emmerson, Simon (2001c). Pentes: A Conversation with Denis Smalley
Emmerson, Simon (2001d). The Electroacoustic Harpsichord
Emmerson, Simon (2006). In what form can ‘live electronic music' live on?