Language(s): Spanish

Keyword(s):

Musique Concrète ,  Schaefferian Theory ,  Acousmatic ,  Electroacoustic Music

Abstract:

In this chapter the author introduces a discussion about Pierre Schaeffer’s work ranging from composition to theory to philosophical foundations and its importance for the development of electroacoustic music in France. Palombini argues that Schaeffer’s work was seminal for the art of musical composition and also to the art of listening to music.

Abstract translation(s):

(Español)

Palombini, Carlos (1999). Retorno a la música concreta

All references of the same author:

(English)

Palombini, Carlos (1993). Pierre Schaeffer, 1953: towards an Experimental Music
Palombini, Carlos (1993a). Pierre Schaeffer: from Research into Noises to Experimental Music
Palombini, Carlos (1993b). Pierre Schaeffer's Typo-Morphology of Sonic Objects
Palombini, Carlos (1998). Technology and Pierre Schaeffer: Pierre Schaeffer's Arts-Relais, Walter Benjamin's technische Reproduzierbarkeit and Martin Heidergger's Ge-stell
Palombini, Carlos (1998b). Pierre Schaeffer, 1953: Towards an Experimental Music
Palombini, Carlos (2000). The Brazilian Group for Computer Music Research: A Proto-History
Palombini, Carlos (2001). Ideas for a Musicology of Electroacoustic Musics: Notes to a Reading of Landy
Palombini, Carlos (2001a). Pierre Schaeffer: a Survey of the Literature
Palombini, Carlos (2002). Musique Concrète Revisited